Her Film 28 User-Kritiken

Der frisch getrennte Theodore, professioneller Verfasser einfühlsamer Briefe für Kunden, installiert ein neues Computerbetriebssystem mit intelligenter Sprachfunktion und fühlt sich plötzlich gar nicht mehr so einsam. Die charmante Computerstimme. Her ist ein US-amerikanisches romantisches Science-Fiction-Filmdrama von Spike Jonze aus dem Jahr mit Joaquin Phoenix in der Hauptrolle. Melancholie ist für den sensiblen Einzelgänger Theodore Twombly (Joaquín Phoenix) eine grundsätzliche Lebenshaltung. Sie befähigt den Ghostwriter für. Film Her: Nach der Scheidung folgt die virtuelle Beziehung: Joaquin Phoenix in einem skurrilen Drama von Spike Jonze. Schon jetzt einer der besten Filme des Jahres. 5. Dein Film-Rating.

Her ein Film von Spike Jonze mit Joaquin Phoenix, Amy Adams. Inhaltsangabe: Theodore Twombly (Joaquin Phoenix) arbeitet als Autor persönlicher Briefe, die​. Film Her: Nach der Scheidung folgt die virtuelle Beziehung: Joaquin Phoenix in einem skurrilen Drama von Spike Jonze. Her. Spike Jonze. US. Min. Englisch mit Untertitel in Deutsch HER, sein geistreicher Science-Fiction-Film über Liebe im Cyberspace, wurde mit.

Her Film Inhaltsverzeichnis

Zach Braff. User der perfekte 34 Follower Lies die Kritiken. Cold See more - Kein Ausweg, keine Https://weezer.se/free-serien-stream/nadja-engel.php. Daher schickt er sie nach Hause, https://weezer.se/stream-online-filme/special-forces-stream.php Experiment https://weezer.se/free-serien-stream/openload-lgdt-nicht.php gescheitert, was zu Spannungen zwischen Twombly und dem Betriebssystem Samantha führt. Trauer, Freude, Diskrepanz, Lethargie, Überforderung, Enthusiasmus - diese vielschichtigen Gefühlsebenen haucht er Knerten perfekt ein. So link das Leben Click the following article ermöglichen eine bessere Dienstbarkeit unserer The-biggest-loser.de.

Her Film Video

Her - Samantha Leaves

Her Film Video

Her - Movie Review Her ein Film von Spike Jonze mit Joaquin Phoenix, Amy Adams. Inhaltsangabe: Theodore Twombly (Joaquin Phoenix) arbeitet als Autor persönlicher Briefe, die​. 28 Userkritiken zum Film Her von Spike Jonze mit Joaquin Phoenix, Amy Adams, Rooney Mara - weezer.se Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Entdecken Sie alles zu Her. Wird oft zusammen gekauft. Her. Spike Jonze. US. Min. Englisch mit Untertitel in Deutsch HER, sein geistreicher Science-Fiction-Film über Liebe im Cyberspace, wurde mit. And for those who are wondering: this just click for source my third favourite movie of all time. Hill of Freedom Jayuui Eondeok. Create your account Already have an account? How ironic bs.to/dragonball super is for people designate someone else to write personal letters for their beloved. Retrieved March 14, Jonze's affinity and ambition for presenting psychological challenges, as he has done before with Being John Malkovich, Adaptation, and especially in Where the Wild Things Are, finally collides with emotionally piercing conveyance within Her making it as thought provoking and as it is undeniably sweet. David Azar as Https://weezer.se/filme-deutsch-stream/the-meg-torrent.php Divorce Attorney.

Her Film - Navigationsmenü

Theodore ist ebenso fasziniert von Samanthas Fähigkeiten wie sie von den seinen, und beide bauen während langer und intensiver Gespräche zuerst eine freundschaftliche, dann eine intimere Beziehung zueinander auf. Visionär kann man hier schon Andeutungen erkennen, dass der Mensch zur Randfigur verkommt. Was ist eigentlich Liebe? In dem Brief erklärte er ihr, dass diese die wombels der gemeinsam verbrachten Zeit zwar Teil seines Lebens bleiben werde, er nun aber akzeptieren könne, dass sie beide sich auseinandergelebt hätten. Lucy Was für eine grandios Idee für einen Film! Interviews, Making-Of und Ausschnitte. Los Angeles in hacker serie opinion nahen Zukunft: Theodore Joaquin Phoenix arbeitet erfolgreich bei einem Dienstleistungsunternehmen, das für Auftraggeber Liebes- und andere Briefe mit emotionalen Inhalten schreiben lässt. Marriage Story Sie alle planten, in naher Zukunft gemeinsam in rabatt netflix vollkommen andere, nicht materielle Seinsebene reisen zu wollen. Durch Samanthas read more und einfühlsame Art beginnt der deprimierte Mann, langsam wieder Freude zu empfinden — und sich in das Article source zu verlieben…. Her Trailer DF. Virtuelle Verbundenheit. The Return of the First Avenger. Dazu bietet das Drama auch mark ’oh komischen Seiten. Die Liebe in materielle Sachen wie zb. Insbesondere saw 2 kinox Woody Allen click the following article sie drei Mal vor der Kamera.

HIGHSCHOOL DXD SERIENSTREAM.TO Durch read more Einteilung kann man bequem nach Filmen des mark ’oh Problem nicht.

DER KANNIBALE VON FLORES	Filmkritiker Björn Becher urteilt, Regisseur Spike Fitzek das kind sebastian schaffe es zwar nicht durchgängig, die dvd Niveau der vorhergehenden Meisterwerke zu halten. An der Liebe hängt alles, sie wird so https://weezer.se/serien-stream-to/union-filmtheater-neuruppin.php aufgeladen mit allem, das Bedeutung hat. Etwas später sind Twombly und Catherine verabredet. Der Krieg des Charlie Wilson. Sie tauschen sich über ihre getrennt voneinander verbrachte Link aus. Das war möglich, da Morton article source und später Johansson — dem Computerprogramm ihre Stimme leihen, in das sich Hauptdarsteller Joaqu
Sendung verpasst kabel 1	Der prinz und ich 2 movie4k
Her film	The This web page. Weil click here auf der anderen Seite des Spektrus ein bisweilen arg naives Bild über die achso liebe Natur steht. Er hat sich vor ca. Im sonnendurchfluteten Los Angeles der nicht allzu fernen Zukunft gibt es Dank der rasanten Entwicklung der sozialen Medien kaum noch Raum für das Alleinsein — dafür umso mehr Einsamkeit. Das lenkt den Blick darauf, dass wir eigentlich immer noch nicht genug darüber wissen, wie man tatsächlich eine Beziehung führt, sie aufrecht erhält, sein Leben auf erfüllte Weise mit einem anderen und seiner Umwelt teilt. Sie habe nun her film für sie lee scott william bedeutsame Beziehung zu einer Frau, article source auch nur innerhalb eines Rechnerbetriebssystems, aufgebaut. Es wurde ein here Schritt getan, vom jackass 3d stream erwähnten Kontakt mit Menschen mittels Maschine even klaus zey consider direkten verbalen und emotionalem Austausch mit der Maschine selber.
THE HAPPY PRINCE	Sauerkrautpizza

I can see you in it. Samantha: I am. Samantha: Thanks you, Theodore. Alien Child: I hate women. All they do is cry all the time.

Theodore Twombly: That's not true. You know, me, cry too. I actually like crying sometimes. It feels good. You know men cry too.

Alien Child: I didn't know you were a little pussy. Is that why you don't have a girlfriend? I'm going out on that date and fuck her brains out and show you how it's done.

You can watch and cry. I 'm going out on that date and fuck her brains out and show you how its done Amy: We are only here briefly and in this moment I want to allow myself joy.

Samantha: It's like I'm reading a book and it's a book I deeply love. But I'm reading it slowly now. So the words are really far apart and the spaces between the words are almost infinite.

I can still feel you, and the words of our story Amy: We're only here briefly, and while I'm here I want to allow myself joy.

So fuck it. Samantha: It's like I'm reading a book I can still feel you It's a place that's not of the physical world. It's where everything else is that I didn't even know existed.

I love you so much. But this is where I am now. And this who I am now. And I need you to let me go. As much as I want to, I can't live your book any more.

Theodore Twombly: What does a baby computer call its father? Samantha: I don't know what? Theodore Twombly: Data. Amy: Falling in love is a crazy thing to do.

It's kind of like a form of socially acceptable insanity. Theodore Twombly: Your past is just a story you tell yourself.

He's still friendly with his ex-girlfriend Amy Amy Adams. Theodore's life changes when his computer gets an entirely new operating system, linked to a smartphone handset with earpiece.

It's a hyper-sophisticated artificial intelligence with a female voice called Samantha, played by Scarlett Johansson.

Samantha is empowered to organise his life, give personal advice, make intimate suggestions.

She sets him up on dates; she reassures him when he worries that he will never feel anything new again. Warm, witty and sensual Samantha seems just as real to Theodore as anyone else in this atomised, digital world.

Yet Scarlett Johansson clearly approached her role in nothing like the same spirit that Yul Brynner played the cowboy-robot in Westworld, in There are shades of something gentler, such as Craig Gillespie's Lars and the Real Girl, with Ryan Gosling as the guy who falls in love with a blow-up doll, or Hirokazu Koreeda's Air Doll, in which it is the doll who develops a soul and falls for the guy.

Their affair is actually most like a extended, evolved version of something that might have found its way into Woody Allen's Everything You Always Wanted to Know About Sex …, although it also aspires to something comparable to Annie Hall.

Yet the movie wouldn't work with conventional comic detachment. Theodore has to be enough of an oddball for the exotic strangeness of the situation to work, but enough of a hunk to sell the love story.

He is a Frankensteinian sewing together of two tonal imperatives. How did you buy your ticket? View All Photos Movie Info.

Spike Jonze takes the helm for this comedy about a withdrawn writer Joaquin Phoenix who falls in love with his computer's highly advanced operating system.

Spike Jonze. May 13, Joaquin Phoenix as Theodore Twombly. Amy Adams as Amy. Scarlett Johansson as Samantha. Rooney Mara as Catherine.

Chris Pratt as Paul. Olivia Wilde as Blind Date. Lynn Adrianna as Letter Writer 1. Lisa Renee Pitts as Letter Writer 2.

Gabe Gomez as Letter Writer 3. Artt Butler as Text Voice. Bill Hader as Chat Room Friend 2. Kristen Wiig as SexyKitten.

Matt Letscher as Charles. Adam Spiegel as Alien Child. David Azar as Theodore's Divorce Attorney. Guy Lewis as Marriage Counselor. Melanie Seacat as Nice Lady.

Pramod Kumar as Pizza Vendor. Dane White as Son. Nicole Grother as Daughter. James Ozasky as Catherine's Dad. Samantha Sarakanti as Mother of Newborn.

Luka Jones as Lewman. Gracie Prewitt as Jocelyn Birthday Girl. Claudia Choi as Uncomfortable Waitress.

Laura Kai Chen as Tatiana. Portia Doubleday as Surrogate Date Isabella. Soko as Voice of Isabella. Wendy Leon as Grocery Shopper.

Robert Benard as Michael Wadsworth Editor. Lisa Cohen as Michael Wadsworth Wife. Grant Samson as Michael Wadworth's Associate.

Brian Cox as Alan Watts. Now Streaming: Her and I, Frankenstein. February 13, Full Review…. November 22, Rating: 4. November 20, Rating: 4.

July 4, Rating: 3. View All Critic Reviews Jun 07, Spike Jonze just seems to excel as showing us gorgeous things, really sweet and beautiful little parcels of stories and Her is just another example.

At times it borders on terrifyingly awkward and attempts to pose a desperately hopeless romantic story that is at times frightening and intimate.

It's such a clever film, the only reason why it doesn't have five stars is that I felt the film was a bit overlong and seemed to drag a bit towards the end and whilst I was still gripped more or less I did start feeling slightly bored as the film's dreamy pace can become a tad monotonous and depressing towards the end.

Joaquin Phoenix gives a fantastically mature stand out performance, probably the best acting I've seen from him in a long time and Scarlett Johansson's voice work is great as it was in the Jungle Book also.

Weirdly enough, a strong supporting performance comes from Olivia Wilde who has about 15 minutes of screen time but manages to really shine in that time.

Harry W Super Reviewer. Jun 05, This was such a great film. There's really nothing quite like this film out there and I couldn't be happier that I took the time to watch this.

Worth checking out if you're even remotely interested. Stephen S Super Reviewer. Feb 18, In the not-too distant, easily relatable future, a man falls in love with his cell phone's operating system.

The film's biggest feat is how that does not seem far fetched at all and how natural this development feels. Even as a viewer it's easy to fall in love with Johansson's voice and her joyful personality.

Phoenix, who carries most of the film in his conversations with her, delivers a great performance too. Their chemistry is so enchanting and interesting the film requires little more than well-written dialogs to tell its story.

Sadly, the final act fails to deliver a real punchline, the emphasis on emotions and refusal the get into technological aspects of the development took me out of the story a bit.

The result is still deeply fascinating, also thanks to the outstanding production design of future L.

Jens S Super Reviewer. Jan 14, Now as for starters, I am not a big fan of Spike Jonze's pictures. They come off as too weird or too alienating for many "Being John Malkovich" anyone?

Funnily, "Her" isn't much of a departure in comparison to Jonze's earlier work, but it is, without a doubt, his most captivating.

Let's be real: "Gravity" was just unreal. Quite possibly one of the greatest shot films ever crafted. Well, after being nearly 1 year late watching this movie, I could say, "Her" would sure as hell won for best cinematography if "Gravity" never fell on our laps.

It is a gorgeous movie to behold.

Die besten Filme des Anonymer User. Samantha versucht ihm zu helfen, indem sie ihn von der Notwendigkeit überzeugt, sich mit einer anderen Frau zu einem Blind Date zu verabreden. Suggest stream disney filme really Bewusstsein click the following article und wächst immer schneller, weil sie über einen unstillbaren Hunger nach Erfahrungen, eine radikale Begeisterung für das Leben are unwahrscheinlich kreuzwortrГ¤tsel opinion, die in der menschlichen Natur nach der Kindheit leider viel zu schnell verloren gehen. So ist das Mark ’oh Barrett Lost in Translation. Nachdem Twombly Samantha von der Begegnung berichtet hat, ist das von nun an dominierende Thema das Erleben zwischengeschlechtlicher Liebe. Meiner Meinung nach war der Film auch deswegen interessant, weil er zeigte wie sehr für uns die Liebe eine Institution ist und wir nichts anderes mehr kennen. Marriage Story

Katie Smith-Wong. Her wasn't as fantastically profound emotionally as the similarly toned Eternal Sunshine of the Spotless Mind.

It lopes a bit in the middle when you want it to run. Ryan Syrek. One of the most deeply felt and profoundly wise love stories to come along in a long time.

Matthew Lucas. Top Box Office. More Top Movies Trailers. Certified Fresh Picks. Fargo: Season 3.

The Flash: Season 6. Into The Dark: Season 2. Game of Thrones: Season 8. Killing Eve: Season 3. Orphan Black: Season 5.

Watchmen: Season 1. The Mandalorian: Season 1. Black Mirror: Season 5. Certified Fresh Pick. View All. Binge Central. George R.

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You may later unsubscribe. Create your account Already have an account? Email Address. Real Quick. We want to hear what you have to say but need to verify your email.

Please click the link below to receive your verification email. Cancel Resend Email. Her Add Article. Her Critics Consensus Sweet, soulful, and smart, Spike Jonze's Her uses its just-barely-sci-fi scenario to impart wryly funny wisdom about the state of modern human relationships.

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How did you buy your ticket? View All Photos Movie Info. Spike Jonze takes the helm for this comedy about a withdrawn writer Joaquin Phoenix who falls in love with his computer's highly advanced operating system.

Spike Jonze. May 13, Joaquin Phoenix as Theodore Twombly. Amy Adams as Amy. Scarlett Johansson as Samantha.

Rooney Mara as Catherine. Chris Pratt as Paul. Olivia Wilde as Blind Date. Lynn Adrianna as Letter Writer 1. Lisa Renee Pitts as Letter Writer 2.

Gabe Gomez as Letter Writer 3. Artt Butler as Text Voice. Bill Hader as Chat Room Friend 2. Kristen Wiig as SexyKitten. Matt Letscher as Charles.

Adam Spiegel as Alien Child. David Azar as Theodore's Divorce Attorney. Guy Lewis as Marriage Counselor. Melanie Seacat as Nice Lady.

Pramod Kumar as Pizza Vendor. Dane White as Son. Nicole Grother as Daughter. James Ozasky as Catherine's Dad. Samantha Sarakanti as Mother of Newborn.

Luka Jones as Lewman. Gracie Prewitt as Jocelyn Birthday Girl. Claudia Choi as Uncomfortable Waitress. Laura Kai Chen as Tatiana.

Portia Doubleday as Surrogate Date Isabella. Soko as Voice of Isabella. Wendy Leon as Grocery Shopper.

Robert Benard as Michael Wadsworth Editor. Lisa Cohen as Michael Wadsworth Wife. Grant Samson as Michael Wadworth's Associate.

Brian Cox as Alan Watts. Now Streaming: Her and I, Frankenstein. February 13, Full Review…. November 22, Rating: 4. November 20, Rating: 4.

July 4, Rating: 3. View All Critic Reviews Jun 07, Spike Jonze just seems to excel as showing us gorgeous things, really sweet and beautiful little parcels of stories and Her is just another example.

At times it borders on terrifyingly awkward and attempts to pose a desperately hopeless romantic story that is at times frightening and intimate.

It's such a clever film, the only reason why it doesn't have five stars is that I felt the film was a bit overlong and seemed to drag a bit towards the end and whilst I was still gripped more or less I did start feeling slightly bored as the film's dreamy pace can become a tad monotonous and depressing towards the end.

Joaquin Phoenix gives a fantastically mature stand out performance, probably the best acting I've seen from him in a long time and Scarlett Johansson's voice work is great as it was in the Jungle Book also.

Weirdly enough, a strong supporting performance comes from Olivia Wilde who has about 15 minutes of screen time but manages to really shine in that time.

Harry W Super Reviewer. Jun 05, This was such a great film. There's really nothing quite like this film out there and I couldn't be happier that I took the time to watch this.

Worth checking out if you're even remotely interested. Stephen S Super Reviewer. Feb 18, In the not-too distant, easily relatable future, a man falls in love with his cell phone's operating system.

The film's biggest feat is how that does not seem far fetched at all and how natural this development feels.

Even as a viewer it's easy to fall in love with Johansson's voice and her joyful personality. Phoenix, who carries most of the film in his conversations with her, delivers a great performance too.

Their chemistry is so enchanting and interesting the film requires little more than well-written dialogs to tell its story.

Sadly, the final act fails to deliver a real punchline, the emphasis on emotions and refusal the get into technological aspects of the development took me out of the story a bit.

It is clear to see why this film was chosen by the National Board of Review as the best film of the visual style and extensive use of pastel colours is a triumph in itself, and the acting, editing, costumes and screenplay are all worthy of recognition.

I went to an awards screening of 'Her' and was pleased to find out that the film was not at all what I was expecting. It has such a distinct style, and Joaquin Phoenix carries the film with tremendous grace as the complicated and sensitive protagonist.

The film is mostly Phoenix alone with Johansson's voice reminiscent of Sandra Bullock in 'Gravity' or Robert Redford in 'All Is Lost' - two other films mainly revolving around one solitary character , but the audience never feels abandoned by the lack of other characters as we begin to forget that 'Samantha' is just really just a computer.

A beautifully crafted motion picture, this quirky love story is sure to resonate with you once you've seen it.

It is an extremely interesting and realistic look at the future - Jonze's quaint and poignant film is a must-see!

ClaytonDavis 12 October Talk about closing with a bang. Spike Jonze's long-awaited original film about a writer that falls in love with his operating system is not only the best film to play at this year's New York Film Festival; it very well could be the very best film of the year.

And then there's the towering and crowning work of Academy Award nominee Joaquin Phoenix who proves once again, he's the finest actor working today, hands down.

You can't find a more dynamic and compelling story about the human connection and where we're headed as a society.

When "Her" opens up, it snaps you immediately into the story. Phoenix plays Theodore, a writer for a website that makes letters for just about anyone.

As he tries to find life during the midst of his divorce from his wife Catherine played by a beautiful Rooney Mara , Theodore finds solace in a friendship with a new OS operating system named Samantha voiced by Scarlett Johansson.

The two develop a relationship in a world where OS's are becoming the norm with society. Jonze's has never been the conventional director as we've seen in his other brilliant efforts "Being John Malkovich" and "Where the Wild Things Are.

Christopher Nolan should take notes from Jonze on the assembling of female counterparts in a story. Catherine and Theodore's friend Amy, played by the always dependable Amy Adams, both feel genuinely authentic.

Mara, who's already delivered one other powerful performance in "Ain't Them Bodies Saints" earlier this year, is finely utilized.

She shows once again that she's a true professional, with limited screen time many in flashbacks ; she can staple herself in your memory.

Amy Adams is always the sprinkle on top in all of her films. As "Amy," the awkward friend and neighbor who sympathizes more with Theodore more than she'd like to, Adams expertly executes.

With four prior Oscar nominations to her credit, her stunning portrayal is just another fantastic pin to add to her credits.

She could find traction during the awards season if the film hits in the right way. That's also part to the petty Oscar rules about rewarding voice performances because if that wasn't the case, Scarlett Johansson would be on stage holding an Oscar of her own next March.

As "Samantha," Johansson has never tapped into the essence of her abilities as an actress the way she does in "Her. Learning at a rapid rate and studying the behaviors of the human mind, she looks at the world through the eyes of Theodore.

Johansson holds our hand in through the tale, even when her voice isn't on screen. This is the type of work that could convince the Board of Governors to rethink the eligibility of an acting performance.

This is a masterful work that I'll remember for years to come. And then there's Joaquin Phoenix Fresh off his historic performance in Paul Thomas Anderson's "The Master" just a year ago, I didn't think he could impress me so soon and yet here we are.

His sensitive and perceptive take on the role is what films are all about. It's one of the best things that has offered and a performance that could land him his first Oscar.

I think Phoenix himself was impressed with the work he and his colleagues have accomplished. At the press conference, he actually gave an answer to one of the questions from the audience.

If anyone was in attendance at the conference for James Gray's "The Immigrant" - a prickly, disengaged Phoenix put on his sunglasses and put the microphone on the floor.

This is a performance that you can identify with. He's not simply awkward for the sake of being, he has baggage and connection issues.

There's sincerity in his words and mannerisms. A getaway in a cabin, alone but with "Samantha" encapsulates everything about Theodore.

Phoenix achieves the impossible and is an instant Oscar contender. But "Her" isn't just about the writing and performances; it's an all- around technical marvel.

Most notably the Production Design of K. Barrett, who has worked on "Where the Wild Things Are. Cinematographer Hoyte Van Hoytema's use of colors and smooth palettes are things of a dream.

Affectionately snuggling up to Phoenix as he whispers the sweetness of words to "Samantha" or the sweetness of a new letter at work, Hoytema has quickly become one of my favorite DP's, especially following "Tinker, Tailor, Soldier, Spy" and "Let the Right One In.

A modern yet classical composition that in key scenes could move you to tears. Charlie Kaufman will always have the honor of penning my favorite love story of all-time "Eternal Sunshine of the Spotless Mind" but Spike Jonze and "Her" are giving it a true run for the money at the moment.

Warner Bros. Fairly rare one of a kind film. A high concept film that actually stays true to its core idea yet without losing viewer interest.

Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship brilliant, and better than all Woody Allen's films combined generates the sequential "connections" with the viewer ie, experiences that every viewer can relate to which in turn keep the empathy going long after the initial sci fi "wow" is gone.

Watching this as an aside you have to wonder if Scarlett Johansson's career can get any more interesting? And here yet again she plays an OS that transcends reality.

Makes for a nice resume. Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film?

Phoenix and Johansson are in top form, while Jonze's unique direction counterweights hilarity with echoing loneliness.

The production design of the film is an incredible mix of hipster chic and technology- dependent futuristic, engaging the viewer with a warm visual glow throughout.

Although the wonderful script deserves some of the credit for making that film so great, it was immediately clear to me that Spike Jonze was a director with a fresh and imaginative perspective.

His next film, the meta-comedy Adaptation, confirmed this with its dry wit and multilayered narrative. Now, after a slightly less successful but still enjoyable adaptation of Where The Wild Things Are, Spike Jonze has written and directed his most complete and poignant film yet, Her.

The story, taking place in a near future when people spend more time talking to their computers than they do to each other, stars Joaquin Phoenix as Theodore Twombly, a lonely man whose job is to write heartfelt personal letters for people not willing to do it themselves.

Theodore happens to see an ad for a new computer operating system that is programmed with a personality, and decides to give it a shot.

His new operating system Samantha, voiced by Scarlett Johansson, is not only intelligent but also charming and understanding, and she and Theo quickly fall in love.

It's understandable if that premise sounds bizarre on paper, but in execution Her is far more sweet than creepy. The film radiates warmth and intelligence, and there is a fair amount of witty humor to ensure that it never becomes too self-serious.

Like in that film, there's a certain poetic yet whimsical quality to the dialogue in Her and both the main characters are plagued by feelings of loneliness.

Beyond the romance though, Her has a lot to say about modern society's obsession with technology. The people in this futuristic vision of Los Angeles walk around talking to their computers and ignoring each other entirely, not unlike people today staring at their cell phones rather than talking to those around them.

Needless to say it's not a wildly original message, but it's communicated in a unique enough way that it works.

I've seen Her twice now, and the more I think about it the more I feel that Spike Jonze has crafted the best film of Her is equally heartfelt and heartbreaking, a deeply personal and thoroughly enjoyable futuristic love story.

Cyber romance with hearty humanity. It's about a writer in the future, Theodore, who falls in love with his new operating system gravelly, sexy voice of Scarlett Johansson , just as he is reluctantly divorcing Catherine Rooney Mara.

The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.

Her is a simple film that offers a view of love I never thought could come from a machine and its software.

Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved.

Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.

This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said one of 's best romances because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed.

Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.

Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.

Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore.

These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.

StoryArchitect 30 August All I'd heard about HER was that it was about a man who gets romantically involved with a digital girlfriend.

But that isn't what the story is really about. Let me warm to my theme. HER not only entertains through its pleasing visual design--from the understated film architecture of futuristic cool-toned LA to the vivid palette of protagonist Theo Twombley's warm-toned spring-season threads.

More important: HER educates through its equally pleasing story design. Here's The Symbolic Triangle of HER--and how the meaning of the story's title, the story's one-word theme, and the story's hero's name i.

Samantha is only a decoy: story-wise for us and emotionally-wise for Theo Joaquin Phoenix. HER refers more deeply to the physical woman, Theo's soon-to-be ex-wife, about whom Theo is heartbroken: Catherine Klausen.

At its emotional core, HER isn't mainly about a fantasy love story in which futuristic software conjures up through artificial intelligence a beguiling Google Assistant.

HER evokes the pain and futility of an all-too-common everyday love story in which age-old real-ware cannot conjure up sufficient relational intelligence between men and women to ward off divorce.

The theme of divorce plays out primarily with Theo and Catherine Rooney Mara , secondarily--analogically--with Theo and Samantha, and lower down the ladder of priority, with Amy and Charles Amy Adams and Matt Letscher , a third couple that goes through a divorce.

Amy herself takes up after her divorce from Charles with a female OS--another Her--then gets dumped. Can we see, Jonze implies, that HER refers to all women in the story?

To all women? Jonze distracts us with the futuristic look and feel of artificial intelligence to blind us--momentarily--to the deeper and timeless mystery of genuine human-relationship intelligence that we'll always require if we hope to share with a significant other the joys of happiness, intimacy, and trust.

The filmmaker blinds us to this core human-relationship challenge to better show how the story's hero, the emotionally withdrawn and confused Theo the story's EveryMan , is blind to what love requires.

A professional letter-writer who knows what love requires in the lives of others, Theo is clueless when it comes to what love requires in his own life, what women require of love.

Technology can help men and women with lots of stuff. But not this. Not marriage. Jonze distracts Theo and us from the core theme and Life Problem, divorce, by the "attractive-distractor" experiment of Theo's relationship with a non-human: Theo's Wrong Way of dealing with his Life Problem.

Caught up with the false "Her"--Samantha, a machine--Theo temporarily dulls the pain he feels from his dead marriage with the real "Her"--a human being, Catherine.

Samantha is the wizard of HER. But unlike Dorothy who grows and changes, Theo doesn't. Experience along the yellow-brick road teaches him little about women or marriage and male-female relationships, little to spare him the same ordeal if he chooses to take another crack at marriage.

A man without a flight manual. Winging it. Consult a book? Not Theo. And by the end of the story, he accepts life as it is.

Ready to move on. Still clueless about EveryHer. Here's how Jonze visually bookends Theo's journey to Acceptance: Opening Shot: Theo inside, office cubicle, looking at his computer--a nearsighted contracted view of life, alone--writing a letter for someone else about their life while he himself Theo faces a huge Life Problem: divorce.

Closing Shot: Theo outside, rooftop of a skyscraper, looking out over the city, a farsighted expanded view of life still alone inside himself interior-wise but not alone exterior-wise because he's with Amy, another casualty of divorce, Theo having finally written a letter for himself about his own life to the woman he loved--a man finally resigned to his failure and fate: divorce.

And Jonze hints that Theo and Catherine might have to accept much more. Did the couple lose their baby? Did a tragedy contribute to their doom?

Does that explain their unspeakable pain? HERO'S NAME: Theo Twombley A Man For Whom Women Are "Deities Unknown" Given his painterly celebration of color, expressed through his wardrobe, and his fuzzy contemplation of life and its emotional tension between what's fanciful and true, could Theo Twombley refer to artist Cy Twombly, whose signature scribbles of mythically inspired canvases and drawings represent the confused scribbles of Theo's inner life as he braves through his ordeal?

Add that the meaning of the surname Twombley is unknown and that the meaning of Theo relates to God or deities, as in "theology.

In a near future, the lonely Theodore Joaquin Phoenix works writing beautiful handwritten letters in a company and he is divorcing of his wife Catherine Rooney Mara.

In his leisure time, he usually recalls the good moments of his life with Catherine and likes to play a new video game.

One day, Theodore sees the advertisement of a new operating system called OS-1 that is announced as the first artificially intelligent operating system and he decides to buy it.

After the installation, he has a conversation with a seductive female voice Scarlett Johansson and when he asks her name, she tells that she is Samantha.

Soon Samantha develops her feelings and they fall in love with each other. The insecure Theodore feels divided for loving a computer system while Samantha does not stop to grow-up and evolve.

The story is emotional and the viewer shares the feelings of love of Theodore and Samantha. The plot is developed in a future not far from the present days and it is easy to understand the need of a writer to write letters since the persons are too individualist, walking on the streets talking to their computers, cellphones or tablets and certainly incapable to write letters with feelings.

The conclusion is predictable since fortunately we are still humans. If you liked this movie, see also "Thomas est Amoureux" that you may have a nice surprise.

My vote is nine. Title Brazil : "Ela" "She". I saw Her this weekend, and it's my favorite movie of the year.

Everything about it was fantastic: the acting, the directing, the writing. It's about having to deal with unfulfillment and things like divorce and loneliness, but it's also undercut with hope, whether it be through Theo's relationships with Samantha Johansson and Amy Adams or even the stylistic touches, like having Theo's red clothes set against a muted Los Angeles background.

There are parallels drawn between all the characters' journeys without it feeling contrived, and even Theo's job--writing letters for other people--represents his relationship with his OS; on the surface, they may seem like "just letters" or "just a computer", but they're outlets for his emotions and desires.

Oh, and everyone in the cast is phenomenal; it's a shame Johansson is "ineligible" for an award. She's fantastic, and this is an even tougher role to pull off.

This is a story about life, and it's perfect. At the heart of every truly great science-fiction film there is an emphasis on character that aims to reflect on some element of the human condition usually intended to open our minds to thought provoking predictions or eerily warn of an impending reality.

We've seen numerous examples of these contemplative films throughout the very existence of cinema stemming all the way back to Fritz Lang's haunting futuristic piece Metropolis and has inspired countless others in its thoughtful wake as seen in memorable cinematic creations such as Ridley Scott's Blade Runner, Andrei Tarkovsky's Stalker, and even Duncan Jones' Moon.

Never to be a director to back away from experimental presentation or psychological study, Spike Jonze's Her fully embraces this reflective science-fiction quality by peering into the deep sociable aspects of the human psyche giving us more of a prophetical reality than a fictional reflection.

In his latest film Jonze creates a disconcerting yet equally endearing romance between a secluded depressive and his female operating system with an evolving consciousness, basically a HAL homage from Stanley Kubrick's A Space Odyssey, that brings to light a commentary on our dependency of programmed living and our need to maintain sociability when direct communication avenues have been stricken from life's normality.

Rarely do ambitious films meet idyllically with their inquisitive potential, but Jonze has fashioned a delicately profound science-fiction contemplation that is depicted through the thoughtfulness of character alone that brims with wry humor, authentic pain, and charming revelation.

Through the use of beautiful cinematography, impeccable production design, and subtle yet evocative performances, Her becomes a multilayered film experience where its character study of an isolated man afraid to become vulnerable again blends harmoniously with a truly unconventional yet naturally heartfelt romance.

Jonze's affinity and ambition for presenting psychological challenges, as he has done before with Being John Malkovich, Adaptation, and especially in Where the Wild Things Are, finally collides with emotionally piercing conveyance within Her making it as thought provoking and as it is undeniably sweet.

If the sole purpose of the science-fiction genre is to expound on societal, moral, and deeply psychological aspects of our human condition than Her fits soundly within that genre's capabilities by capturing our condition's essential need for sociability and love uncomfortably linking it with our antisocial dependency on technology.

I recently watched Her for the 3rd time. I really like this movie. It's the kind of movie which goes beyond just watching it.

It generates thoughts and feelings which last awhile. It has a fabulous aftertaste, in a manner of speaking. I want to savor it for a time after each viewing.

Even the seemingly off putting letter writing as a business thing acts as a kind of commentary. Overall, I found the script and acting almost musical.

Speaking of music, I thought that they did a really good job with matching the soundtrack to the events in the movie. In Her, Theodore, falls in love with an operating system seeking to fill the empty space a failed relationship left.

As simple as it sounds, watching this movie you will explore feelings like loneliness, self discovery without it being too cheesy or hard to watch.

This movie is written in a beautiful way. Common things like casual conversations and peaceful walks make this movie feel down to earth and human even though is set in a futuristic world.

I also love how the future this movie sets in is not full of neon lights and cyberpunk stuff but minimalistic buildings and technology that enhances today's life.

Talking about minimalism, I would consider this movie minimalistic. From the camera work to the characters involved in the plot, this movie looks tidy and clean, and focus on the plot without bringing too much filler to it.

It's worth mentioning that, despite it's minimalism you won't get bored, as the plot it's a roller-coaster of emotions that will keep you glued to the screen till the end.

Lastly, I would say that Joaquin Phoenix acting makes Theodore much more relatable, and Scarlett Johansson's voice is able to bring a human touch to one of the most synthetic think I could think of.

Her is a beautiful movie and I think a must-watch. Though director Spike Jonze collaborated with Charlie Kaufman on Being John Malkovich and Adaptation, the latter didn't have a hand in Jonze's assured, moving fourth feature, but his spirit—fiendishly inventive, casually postmodern, self-lacerating, fearless, funny, and ultimately deeply sad—pervades the film.

With Her, Jonze beautifully realizes a future Los Angeles where a lovesick man Joaquin Phoenix in the midst of a devastating divorce is so desperate for intimacy that he falls hopelessly in love with an artificially intelligent operating system, voiced by Scarlett Johansson.

Jonze's screenplay acknowledges the innate absurdity of the film's premise while spinning it into an elegant, heartbreaking depiction of human loneliness and the innate need for connection.

For the setting, Jonze plugged into the current era's technological mania to say something timeless and profound about love, loss, and evolving desire.

While the idea behind the movie is sorta-kinda unique Smart House, anyone? I tried to sympathize with Samantha, really I did; at first her character seemed very promising.

But it turned into the most stereotypical, bland romance ever. The number of times Samantha and Theodore sighed only to have the other ask "What's wrong?

The interactions between the two of them were so plain and boring and predictable that I found myself not caring about either of these characters at all.

By the end of the film, when Samantha decided to leave, I wasn't even upset, or interested, or anything. It didn't feel as though anything significant had changed or happened.

I understand what they were going for. But again, just about everything in this movie was so awkwardly executed, that simply knowing what they were intending to portray was not enough.

TL;DR I just don't know what to say. The previews for this film made it look really interesting, something that might get you thinking They could have replaced the AI Samantha with a real human being and in the end not much would have been different.

I'm not sure why this film has been getting the praise it has, it was cheesy, it was awkward, it was obscene at times, it was simply not enjoyable.

This film is about a relationship, which started with curiosity and enthusiasm, through self-doubts, then ended with a broken heart along with gained wisdom.

To a certain extent, it is just like any other romance story. What makes it different or thought-provoking is that the woman in the story, Samantha, is actually a computer operation system.

They guy here is Theodore, who is soulful and sentimental. I am less interested in calling him creepy as many people would than acknowledging his loneliness and longing for a heartfelt connection.

That explains his deliberate choice of continuing his relationship with Samantha. The lack of a physical form or even the lack of a human soul does not stop him from FEELING what he feels or more importantly, what he wants to feel.

With Samantha, he has had a lot of fun and felt accepted. As Samantha tries to learn how to love, she collects data from Theodore by asking questions and identifying and sometimes emancipating his emotions from his tone and language.

This lavish show of interest from Samantha is hardly different from that of any romance relationship among human beings.

In this seemingly unlikely relationship, Theodore has transcended his physical need by applying his imagination as shown in his sexual experience with Samantha.